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Jesmonite AC100 is the ideal resin to bring your creativity to life. It is an alternative to polyester or polyurethane for all types of decorative pieces. Ideal for use with silicone moulds.
Take advantage of February's special price on 1.75 kg kits with a 20% discount.
Acrylic pigment for Jesmonite resin. Apply a maximum of 2% by weight. AC100 resin produces the most vivid colours as it has a higher acrylic resin content.
Pigments are sold by weight and each colour has a different density, so it may appear that some colours are only half full. This is particularly true of white, oxides and terracotta.
Jesmonite AC84 is a two-component water-based acrylic resin, ideal for creating stone-finished pieces from moulds. Its high resistance and detail fidelity allow for durable and realistic results, with a texture that simulates natural stone, but without the actual weight. It is easy to use, customisable with pigments and safe as it does not emit toxic vapours. Perfect for sculptors, designers and creators of artistic and decorative pieces.
Case containing all official pigments Jesmonite in 10 g presentations, for AC100, AC300 and AC84
Includes:
The first 100% biodegradable resin of plant origin! Resin based on linseed oil and a natural activator based on sugar beet molasses: an innovative, safe and sustainable way to create your own decorative, utilitarian and artistic objects. Reslin® is easy and creative to use, with no harmful substances! Your pieces will be ready in 60 minutes at a low temperature in a convection oven. These Reslin® sets contain enough material to create multiple Reslin® objects. They are ideal for both small and large projects. Create endless possibilities with Reslin®!
Neon-based mineral pigments. Perfect for use with Jesmonite AC100/AC200/AC300. You can unleash your creativity with truly striking colours (neon effect).
Please note: does not glow in the dark! No fluorescent pigments.
Very fine mineral powder in beautiful, bright pearlescent colours. Mix the mica powder with Reslin® to give your objects a shiny pearlescent effect.
Format: 9 g
Mix this glow-in-the-dark pigment with Reslin® and create your own glow-in-the-dark artwork. It provides a glow-in-the-dark effect when properly charged and used in a dark room.
Format: 10 g
Natural glitter made from mica slate grain, which does not contain plastic. You can sprinkle it into your mould or mix it with your Reslin® to add a beautiful shine to your creation.
15 g format
Reslin® Tint, highly pigmented, solvent-based and with excellent coverage. Add a few drops of Reslin® Ink to the Reslin® mixture to colour it. You will obtain very vivid colours with excellent coverage. Size: 20 ml.
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Discover Jesmonite, the world's leading non-toxic resin that is replacing solvent-based systems thanks to its safety and versatility.
This water-based system is completely free of toxic substances, fire-resistant and very easy to use for silicone moulds and moulding.
As Jesmonite Store Barcelona, we offer you an official guarantee and specialised technical advice.
Professional epoxy resins for art, wood, jewellery, fibreglass and industrial applications. Discover transparent, fast, slow and technical epoxy resins, organised by use so you can easily choose the most suitable one for your project.
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AC200 is anJesmonitee resin solution for obtaining a soft compound that can be carved, milled or machined. Ideal for models and prototypes for sculptors and designers.
Cobalt Octoate is a solution used to modify the curing time of polyester resins.
Acrylic pigment for Jesmonite resin. Apply a maximum of 2% by weight. AC100 resin produces the most vivid colours as it has a higher acrylic resin content.
Pigments are sold by weight and each colour has a different density, so it may appear that some colours are only half full. This is particularly true of white, oxides and terracotta.
SR 8100 epoxy resin with SD 8824 hardener (Standard) specifically for resin infusion.
Catalyst for polyester resins and gelcoats. Usual proportion 1.25 to 2%. Always consult the resin's technical data sheet.
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